Zande hat
Accession Number:
[1917.25.51]
Country:
Sudan
Region:
[Southern Sudan] ?Northern Bahr el Ghazal ?Western Bahr el Ghazal ?Warab ?El Buheyrat ?Western Equatoria
Cultural Group:
Zande
Date Made:
By 1917
Materials:
Palm Fibre Plant
Process:
Basketry
Other Owners:
Robert Grenville Gayer-Anderson, probably collected in the period immediately before World War I (1909-1914) [RTS 1/6/2004].
Field Collector:
Robert Grenville Gayer-Anderson
PRM Source:
Robert Grenville Gayer-Anderson
Acquired:
Donated 1917
Collected Date:
By 1917
Description:
Hat of ornamental straw basketry.
Collected by Robert Grenville Gayer-Anderson in the Bahr el Ghazal region, probably between 1909 and 1914, in the period immediately before World War I. At the time this object was collected, the Bahr el Ghazal province was much larger than it is today, extending from roughly the Bahr el Arab all the way to the border with the Belgian Congo; this area is now divided into the districts of Western Bahr el Ghazal, Northern Bahr el Ghazal, and parts of Warab, El Buheyrat and Western Equatoria.
Evans-Pritchard discusses Zande hats in his book, The Azande ; his comments presumably refer to the situation back in 1926-1930, when he conducted his fieldwork amongst this group: “In sketches by early travellers Azande men are shown wearing straw hats. Schweinfurth describes them as using ‘a cylindrical hat without any brim, square at the top and always ornamented with a waving plume of feathers; the hat is fastened on by large hair-pins, made either of iron, copper, or ivory, and tipped with crescents, tridents, knobs and various other devices [ In the Heart of Africa II, p. 8; This type of hat is depicted being worn at the top of the head, see vol. I p. 439]. The same kind of cylindrical, brimless straw hat was still worn in 1906 when Gezer visited the Azande of Tembura’s kingdom and of the old kingdom of Ezo. This is the old Mbomu hat, called kutuku , and some of the older men still keep to a version of it. The hat which is today fashionable, and has been for some years, is of much the same shape but with two new features: black lateral patterns, often wavy lines, and a broad brim, the first being copied from the Mangbetu and the second from the earliest Europeans” (Evans-Pritchard 1971, pp 70-71).
Brock stated that Zande hats were worn from greenish white split grass, being round at the base and square at the top, with patterns around the top in blackened grass. He suggests that the presence or absence of brims was according to fashion, which also determined how the hat's feathers were arranged (R.G.C. Brock, Sudan Notes and Records 1, 1918, 254).
It would appear that the simple brimless hat was being worn by Zande men, as suggested by a wooden figure wearing such a hat, now in the American Museum of Natural History (E. Schildkrout & C.A. Keim (eds), 1990, African Reflections: Art from Northeastern Zaire, fig. 7.22), but also by boys during the ceremonies associated with the period after their circumcision (R.G.C. Brock 1918, "Some Notes of the Zande Tribe as Found in the Meridi District", Sudan Notes and Records 1, pp 251-2). Such hats were collected by Evans-Pritchard in late 1920's to 1930 period, which were apparently used in this way (see 1930.86.32-33 and probably also 1948.2.162-4). These have a straw fringe around the lower edge.
Rachael Sparks 17/9/2005.
Collected by Robert Grenville Gayer-Anderson in the Bahr el Ghazal region, probably between 1909 and 1914, in the period immediately before World War I. At the time this object was collected, the Bahr el Ghazal province was much larger than it is today, extending from roughly the Bahr el Arab all the way to the border with the Belgian Congo; this area is now divided into the districts of Western Bahr el Ghazal, Northern Bahr el Ghazal, and parts of Warab, El Buheyrat and Western Equatoria.
Evans-Pritchard discusses Zande hats in his book, The Azande ; his comments presumably refer to the situation back in 1926-1930, when he conducted his fieldwork amongst this group: “In sketches by early travellers Azande men are shown wearing straw hats. Schweinfurth describes them as using ‘a cylindrical hat without any brim, square at the top and always ornamented with a waving plume of feathers; the hat is fastened on by large hair-pins, made either of iron, copper, or ivory, and tipped with crescents, tridents, knobs and various other devices [ In the Heart of Africa II, p. 8; This type of hat is depicted being worn at the top of the head, see vol. I p. 439]. The same kind of cylindrical, brimless straw hat was still worn in 1906 when Gezer visited the Azande of Tembura’s kingdom and of the old kingdom of Ezo. This is the old Mbomu hat, called kutuku , and some of the older men still keep to a version of it. The hat which is today fashionable, and has been for some years, is of much the same shape but with two new features: black lateral patterns, often wavy lines, and a broad brim, the first being copied from the Mangbetu and the second from the earliest Europeans” (Evans-Pritchard 1971, pp 70-71).
Brock stated that Zande hats were worn from greenish white split grass, being round at the base and square at the top, with patterns around the top in blackened grass. He suggests that the presence or absence of brims was according to fashion, which also determined how the hat's feathers were arranged (R.G.C. Brock, Sudan Notes and Records 1, 1918, 254).
It would appear that the simple brimless hat was being worn by Zande men, as suggested by a wooden figure wearing such a hat, now in the American Museum of Natural History (E. Schildkrout & C.A. Keim (eds), 1990, African Reflections: Art from Northeastern Zaire, fig. 7.22), but also by boys during the ceremonies associated with the period after their circumcision (R.G.C. Brock 1918, "Some Notes of the Zande Tribe as Found in the Meridi District", Sudan Notes and Records 1, pp 251-2). Such hats were collected by Evans-Pritchard in late 1920's to 1930 period, which were apparently used in this way (see 1930.86.32-33 and probably also 1948.2.162-4). These have a straw fringe around the lower edge.
Rachael Sparks 17/9/2005.
Primary Documentation:
Accession Book Entry
[VI, p.
54] - 1917 [pencil insert] 25 [end insert]
MAJOR R.G.
GAYER-ANDERSON
, R.A.M.C.
The Lodge, Old Marston, Oxon [pencil insert, p.
55] 46-51 [end insert] - [1 of] 6 caps of ornamental straw basketry, Niam Niam, Bahr-el-Gazal.
Additional Accession Book Entry [page opposite 54] - A gift to the Pitt Rivers Museum in memory of Major R.G. Gayer-Anderson, Pasha, his twin brother Colonel J.G. Gayer-Anderson, C.M.G., D.S.O.
Card Catalogue Entry - There is no further information on the tribes catalogue card [RTS 2/2/2004].
Related Documents File - Two letters dated 30/03/1917 and 13/04/1917 from the donor to Henry Balfour regarding the donation of the collection to the museum [EB 12/11/2001]. These indicate that the material was collected by Robert Gayer-Anderson himself, chiefly from the areas of Nuba, Kordofan and Bahr el Ghazal during 5 years he spent in the Sudan, and that they were given to the museum as an unconditional gift [RTS 5/12/2003]. The note in the accession book calling this gift 'in memory of' R.G. Gayer-Anderson is therefore somewhat enigmatic, as both Robert and his twin brother (Thomas G., not J.G.) were alive at the time of the transfer [RTS 5/12/2003].
Additional Accession Book Entry [page opposite 54] - A gift to the Pitt Rivers Museum in memory of Major R.G. Gayer-Anderson, Pasha, his twin brother Colonel J.G. Gayer-Anderson, C.M.G., D.S.O.
Card Catalogue Entry - There is no further information on the tribes catalogue card [RTS 2/2/2004].
Related Documents File - Two letters dated 30/03/1917 and 13/04/1917 from the donor to Henry Balfour regarding the donation of the collection to the museum [EB 12/11/2001]. These indicate that the material was collected by Robert Gayer-Anderson himself, chiefly from the areas of Nuba, Kordofan and Bahr el Ghazal during 5 years he spent in the Sudan, and that they were given to the museum as an unconditional gift [RTS 5/12/2003]. The note in the accession book calling this gift 'in memory of' R.G. Gayer-Anderson is therefore somewhat enigmatic, as both Robert and his twin brother (Thomas G., not J.G.) were alive at the time of the transfer [RTS 5/12/2003].
