Mandari girls

Mandari girls
107 x 107 mm | Print gelatin silver
There are records relating to alternative images that we do not have scans for in the database:
1998.97.59.1 - Negative film nitrate , (56 x 56 mm)
Date of Print:
Unknown
Previous PRM Number:
JB.2.41


Accession Number:
1998.97.59.2
Description:
A full-length group portrait of three Mandari girls wearing checked textile waist-cloths, strings of neck beads (often gifted by male admirers) and single plumes in their hair. Beyond to the right can be seen a youth wearing a set of waist beads denoting an age set, and carrying a club.
Photographer:
Jean Carlile Buxton
Date of Photo:
1950 - 1952
Region:
[Southern Sudan] Bahr el Jebel Tali
Group:
Mandari Dari
PRM Source:
Ronald Carlile Buxton via Institute of Social and Cultural Anthropology
Acquired:
Donated 1988
Other Owners:
Jean Buxton Collection
Class:
Ornament , Weapon
Keyword:
Ornament Neck , Ornament Body , Ornament Hair , Club
Documentation:
See Related Documents File. Buxton field notebooks in Tylor Library.
Primary Documentation:
Note on print reverse ms pencil - "1867"

Other Information:
In Some Notes on the Mandari of Equatoria Province, A.E. Sudan, (typescript notebook of c.1951 in Tylor Library, Institute of Social and Cultural Anthropology, University of Oxford), book I, page 30, Jean Buxton notes that 'Although they are naked, the wearing of beads is very popular. These are of two different types and mean different things. There are large strings of circular waist beads of different colours, which have a special significance and denote different age grades, and which can only be worn by an individual when he is in the appropriate age-grade. The other kind of beads is usually worn around the neck, and is purely ornamental. They can be worn by anyone, although there are usually set fashion trends which dictate which type of beads it is smart to wear to be up-to-date. These latter consist of small strings of beads, often worn the whole way up the throat...' [Chris Morton 26/11/2004]
Recorder:
Christopher Morton 18/1/2005 [Southern Sudan Project]
 
Funded by Arts and Humanities Research Council
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