Zande women preparing for feast

Zande women preparing for feast
61 x 40 mm | Print gelatin silver
There are records relating to alternative images that we do not have scans for in the database:
1998.341.265.1 - Negative film nitrate , (64 x 41 mm)
Condition:
Slight fading [EE 1989]
Date of Print:
Unknown
Previous PRM Number:
EP.A.265
Previous Other Number:
12 4 (14)


Accession Number:
1998.341.265.2
Description:
Women with large open-weave baskets (type known as bangiribambamba - eye-shaped weave) that are to be filled with beaten eleusine. This crop was once the most important base for porridge and beer, but has been displaced to some extent by manioc, a highly drought and pest resistent tuber, which is however somewhat less nutrious than flour produced from grain such as eleusine.
Photographer:
Edward Evan Evans-Pritchard
Date of Photo:
1927 - 1930
Region:
[Southern Sudan] Western Equatoria Yambio
Group:
Zande
PRM Source:
Edward Evan Evans-Pritchard
Acquired:
Donated 1966
Other Owners:
E. E. Evans-Pritchard Collection
Class:
Food and Drink , Basketry , Social Life
Keyword:
Crop Millet , Vessel
Activity:
Food Preparing
Documentation:
Original catalogue lists in Manuscript Collections. Additional material in related documents files. [CM 27/9/2005]
Primary Documentation:
PRM Accession Records - [1966.27.21] G PROFESSOR E. E. EVANS-PRITCHARD; INST. OF SOCIAL ANTHROPOLOGY, 51 BANBURY RD. OXFORD - S. SUDAN, AZANDE TRIBE. Box of negatives in envelopes. Nos. 1 - 400
Added Accession Book Entry - [In pencil in column] Catalogue room.
[1966.27.23] G PROFESSOR E. E. EVANS-PRITCHARD; INST. OF SOCIAL ANTHROPOLOGY, 51 BANBURY RD. OXFORD - S. SUDAN, AZANDE TRIBE. Box of prints in envelopes, nos. 1 - 400 (prints of negatives in 1966.27.21)

Manual Catalogues [typewritten, entitled "Zande Photographs (E-P)"] - 265. Preparations for feast. (Shows baskets ready to receive the beaten eleusine) (Small size). 12/4 (14)

Notes on card mount m/s pencil - "slight fading 5/88 EE"
Recorder:
Christopher Morton 29/10/2003 [Southern Sudan Project]
 
Funded by Arts and Humanities Research Council
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