Portrait of a Zande man

Portrait of a Zande man
104 x 78 mm | Print gelatin silver
There are records relating to alternative images that we do not have scans for in the database:
1998.341.237.1 - Negative film nitrate , (104 x 78 mm)
Condition:
Silver sulphide staining overall [EE 1989]
Date of Print:
Unknown
Previous PRM Number:
EP.A.237
Previous Other Number:
47 (80) [frame 10]


Accession Number:
1998.341.237.2
Description:
A portrait of a man wearing barkcloth loincloth (identified as Kuagbiaru, a courtier).
Photographer:
Edward Evan Evans-Pritchard
Date of Photo:
1927 - 1930
Region:
[Southern Sudan] Western Equatoria Yambio
Group:
Zande
NamedPerson:
Kuagbiaru
PRM Source:
Edward Evan Evans-Pritchard
Acquired:
Donated 1966
Other Owners:
E. E. Evans-Pritchard Collection
Class:
Physical Anthropology
Documentation:
Original catalogue lists in Manuscript Collections. Additional material in related documents files. [CM 27/9/2005]
Primary Documentation:
PRM Accession Records - [1966.27.21] G PROFESSOR E. E. EVANS-PRITCHARD; INST. OF SOCIAL ANTHROPOLOGY, 51 BANBURY RD. OXFORD - S. SUDAN, AZANDE TRIBE. Box of negatives in envelopes. Nos. 1 - 400
Added Accession Book Entry - [In pencil in column] Catalogue room.
[1966.27.23] G PROFESSOR E. E. EVANS-PRITCHARD; INST. OF SOCIAL ANTHROPOLOGY, 51 BANBURY RD. OXFORD - S. SUDAN, AZANDE TRIBE. Box of prints in envelopes, nos. 1 - 400 (prints of negatives in 1966.27.21)

Manual Catalogues [typewritten, entitled "Zande Photographs (E-P)"] - 237. Koagbiaro (Poor photograph). 47 (80)

Notes on card mount m/s pencil - "SSS overall Fading? 8.89"

Other Information:
In Witchcraft, Oracles and Magic Among the Azande (OUP 1937, page 184) E. E. Evans-Pritchard notes that 'My informant Kuagbiaru, had the same detached viewpoint [on the activities of abinza] as a result of even closer association with court life.' Kuagbiaru is noted as an important informant in several other places in this volume (see index). See also [1998.341.219]
Recorder:
Christopher Morton 27/10/2003 [Southern Sudan Project]
 
Funded by Arts and Humanities Research Council
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