Zande eleusine crop

Zande eleusine crop
104 x 78 mm | Print gelatin silver
There are records relating to alternative images that we do not have scans for in the database:
1998.341.140.1 - Negative film nitrate , (104 x 78 mm)
Date of Print:
Unknown
Previous PRM Number:
EP.A.140
Previous Other Number:
3 (201) [frame 12]


Accession Number:
1998.341.140.2
Description:
A pile of eleusine coracana (a type of millet crop that also forms the basis of beer-brewing) in the centre of a homestead, being pecked at by hens. This crop was once the most important base for porridge and beer, but has been displaced to some extent by manioc, a highly drought and pest resistent tuber, which is however somewhat less nutrious than flour produced from grain such as eleusine. The hut to the right with a doorway set within long overhanging eaves is probably a sleeping hut for older boys.
Photographer:
Edward Evan Evans-Pritchard
Date of Photo:
1927 - 1930
Region:
[Southern Sudan] Western Equatoria Yambio
Group:
Zande
PRM Source:
Edward Evan Evans-Pritchard
Acquired:
Donated 1966
Other Owners:
E. E. Evans-Pritchard Collection
Class:
Agriculture and Horticulture , Shelter , Domestic Life
Keyword:
Crop Millet , Building House
Documentation:
Original catalogue lists in Manuscript Collections. Additional material in related documents files. [CM 27/9/2005]
Primary Documentation:
PRM Accession Records - [1966.27.21] G PROFESSOR E. E. EVANS-PRITCHARD; INST. OF SOCIAL ANTHROPOLOGY, 51 BANBURY RD. OXFORD - S. SUDAN, AZANDE TRIBE. Box of negatives in envelopes. Nos. 1 - 400
Added Accession Book Entry - [In pencil in column] Catalogue room.
[1966.27.23] G PROFESSOR E. E. EVANS-PRITCHARD; INST. OF SOCIAL ANTHROPOLOGY, 51 BANBURY RD. OXFORD - S. SUDAN, AZANDE TRIBE. Box of prints in envelopes, nos. 1 - 400 (prints of negatives in 1966.27.21)

Manual Catalogues [typewritten, entitled "Zande Photographs (E-P)"] - 140. Centre of Homestead. (Shows heap of Eleusine which hens are eating). 3(201)


Recorder:
Christopher Morton 15/10/2003 [Southern Sudan Project]
 
Funded by Arts and Humanities Research Council
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